Brooks J Martin · Music Film
Maybe.
A hand-torn collage film for the single "Maybe" — from Brooks J Martin's most personal record to date. Animated paper, cartographic scars, and portrait-busts built inside AIM PREVIZ and finished on the studio's generative stack. Every frame is a sculpture.
Artist
Brooks J Martin
Property
Music Film · "Maybe"
Medium
Collage Animation · Generative
Pipeline
Powered by AIM PREVIZ
The film
A song about the parts of a life you keep in a drawer — turned into a room you can walk into.
Brooks J Martin's noir-folk baritone sits at the center of a record built at his own Catamount Recording — an unfiltered collection layered with symphonic grandeur, jazz-family fingerprints, and the abstract lyric depth that runs through everything from The National to late-period Bowie. "Maybe" is the song where the album lets the doubt speak first: the quiet argument between the life you were promised and the one you actually built.
The film treats that argument as physical material. Every surface — the tapestries, the map-flesh portraits, the pages pinned to a wall like moths — is torn paper. Every gesture the camera makes is a hand hovering over an artifact. When the chorus lands, a paper-mache face opens its eyes and looks through you. When the bridge breaks, the ground gives way to a mandala of route-lines and unreachable coasts.
Nothing here was shot in the traditional sense. The entire piece is a continuous, hand-composed collage — blocked frame-by-frame in AIM PREVIZ, then rendered through the studio's multi-engine generative stack with continuity locked across characters, palettes, paper stocks, and light. The result is a film that reads as handmade because, at the level that matters, it is.
The cut · 04:26
Watch "Maybe."
Tap the film to play with sound
Tap to play with sound · 1080p web cut, master delivered at 4K.
Frame study · 06 stills
A hand at the paper.
The film in six movements
Cut to the song
01
Torn Ledger
The film opens on a workbench of scraps — a portrait forming, then not. The camera is a hand deciding whether to keep going.
02
Crown & Cloth
A pauper's crown, twice-drawn, pinned to a linen tapestry. The song's central self-question: whether the life on offer is one worth wearing.
03
Wall of Pages
A library torn from its bindings and re-hung as prayer flags. Every page a version of the same sentence — sung, or thought, or never said.
04
Paper Mask
The chorus lands. A hand-sculpted face made of ledger fragments closes its eyes on cue. Emotion as an artifact you can hold.
05
Cartographer
The bridge. A man looks at maps of places he'll never go. The routes are torn on purpose — no destination reads as certain.
06
The Third Eye
A sacred-geometry mandala takes the outro. The camera dollies in on a hand-drawn eye. The last frame is the first frame, sold back to you.
Built inside
AIM PREVIZ.
A four-minute collage film with continuity across dozens of torn-paper "characters," a locked palette of muted teal, ochre, and sepia, and camera moves that had to breathe like a hand over a scrapbook. Every shot passed through PREVIZ before it touched a render node.
- 01 · Script → Scene Graph
- The lyric imported to PREVIZ Script. Every verse resolved to a scene, every scene to a paper vocabulary — tapestry, wall, mask, map, mandala.
- 02 · Storyboard density
- Detailed shot plans authored in PREVIZ Storyboard — 6–12 frames per scene, inheriting the film's continuity bundle and paper palette.
- 03 · Keyframe · Look-dev
- Hero frames staged in PREVIZ Keyframe against locked Director Style and camera profile — 50mm on a hand-held, close on the ledger.
- 04 · CineForge 3D · Blocking
- Scenes with spatial complexity — the wall of pages, the mandala outro — blocked in PREVIZ CineForge 3D so camera moves stay physical.
- 05 · Director · Motion
- Motion-transfer and image-to-video runs routed through PREVIZ Director — dialogue-free performance timing, cinematography controls, live-director corrections.
- 06 · Finish
- Layered plates delivered into Nuke and After Effects for the finishing pass — grade, grain, paper texture, dolly stabilization, master out.
Credits
- Artist
- Brooks J Martin
- Track
- "Maybe"
- Album
- Recorded at Catamount Recording
- Production
- AIM
- Pipeline
- AIM PREVIZ · end-to-end
- Direction
- AIM
- AI Director
- Matty
- Generative Supervision
- AIM Applied AI